I Must Get Back To The Woods Dear Girls: Part One

Tonight we emerge from the woods to visit a few of the dear girls Mark and his comrades would capture in song…

Anna Lee

Anna Lee:

Anna Lee

In 2007 fans subscribed to the Sparklehorse.com mailing list were treated to two unreleased studio recordings: a reworked version of Devil’s New and the previously unheard Anna Lee shared here. In a fitting coincidence this distorted pop gem shares its name with another girl from Mark’s past. That is ex-Bangle Susanna “Lee” Hoffs with whom Mark collaborated in 1994. “Be my summer girl…”

Lolita Dean

The Ballad Of Lolita Dean (Choir Version):

The Ballad Of Lolita Dean (Choir Version)

One of the last records Mark would work on, Angela Faye Martin’s 2009 long player Pictures From Home was lovingly crafted at Static King’s final incarnation in Hayesville, North Carolina. Here’s what Angela Faye had to say about this wonderful unreleased mix from those sessions:

“This mix was my favorite (we put some black market samples of a Romanian choir on this one and you can hear his punk-dulcimer chops on this one, as well) but my wish to have Mark’s red concertina on something kept this version off the final selections…”

Maggie May

Maggie May/Smack My Bitch Up (Live):

Maggie May/Smack My Bitch Up (Live)

We end this evening with an unlikely but entertaining medley of the works of Rod Stewart and The Prodigy! The track was recorded on the 21st July 1998 during a live session for London radio station XFM. Mark is backed by touring band mates Scott Minor, Jonathan Segel and Scott Fitzsimmons…

To be continued………

Golden Crows Archive…

“getting it wrong” – live 2003

Let’s not forget how Sparklehorse could rock out with the best of them. We’ll close out the evening with a true rarity, an early, hard rocking version of “Getting It Wrong”, which was released in a completely different arrangement on “Dreamt For Light Years In The Belly Of A Mountain”. It’s taken from a webcast live from Toronto on the tour where Sparklehorse was supporting R.E.M. I had tickets for the Chicago stop, but didn’t make it, due to a family commitment. I’ll always regret missing the chance to see Sparklehorse play in a large arena, but at least there’s this…

Getting It Wrong

sage francis – “love the lie”

Today’s featured video is from Sage Francis, from the “Li(f)e” record. Mark wrote the music for this and it is one of the last songs he completed. From a Q & A with the artist, SF had these remarks about him:

One of your collaborators on this album was the late Mark Linkous of Sparklehorse. Can you talk about how (or if) you guys met and your experiences working with him?

Even though I had limited interactions with Mark, when he passed away I was obviously shocked and saddened. He was actually the first person I worked demos out with and those original demos were essential in getting the rest of the album made. Andy Kaulkin (the president of Epitaph/Anti-) was close to Mark and he’s the one who put us in touch with one another. Mark was really nice and helpful throughout the whole process. I never got to meet him in person but I’m a fan of his work and I’m honored that we got to do a couple songs together. I didn’t really know how to address his passing when it happened. I still don’t I guess.

souvenirs i saved

There was a time, however brief, during the Capitol records era, when the label actually cared about Mark and tried to promote him. For the “Good Morning Spider” release, there were various promotional items created, including matchbooks. An entire box of which I absconded with at the end of a Sparklehorse show at the Double Door in Chicago around the time the album came out. Hey, they were just sitting there on the table and nobody else seemed to notice or care.

The matchbooks are white with stark black printing. The GMS bird and Sparklehorse logo on the front, and on the back, the quote “From its chimney he breathed all creatures last panic”. This is a phrase excerpted from the text that runs around the circumfrence of the GMS compact disc, which reads in its entirety:

DISTORTED HAINT I WANT TO BE A SHINY NEW BABY WITH A SPONGY BRAIN BLOODY LAKE ANGELS WHO’S HUMID SMOKE HAUNT THE DAWN WOODS ALL HOT AND STORMY BIRD BLOOD ALL HOT AND STORMY BIRD’S BLOOD FANGS SPANNING YELLOW AGAINST THE EARTH COAL DEVILS HE WALKED OUT OF THE KEROSENE RIVER AND LIT HIS PIPE BY THE SLAUGHTERHOUSE FROM ITS CHIMNEY HE BREATHED ALL CREATURES LAST PANIC AND HE WALKED AND WALKED THROUGH THE COUNTRYSIDE AND HIGHWAYS DRIPPING BLACK TAR AND FIERY FOOTPRINTS MY HANDS LOOK LIKE MY DADDY’S HANDS MY HANDS LOOK LIKE MY DADDY’S THE SWANS OF SUGARY SLEEP A GOOD PLACE TO REST FORGOTTEN HOUSES WITH THEIR POWDERY WALLS AND THEIR SPOOKS IT’S A HARD WORLD FOR LITTLE THINGS BLIND AND SALTY CHOIR IT’S FRIED UP MINE EYES

GMS was the first Sparklehorse record I bought. I admit I missed the boat on “Vivadixie…” back in the day. But I played GMS relentlessly. It is still probably my favorite record of all time, or certainly one of my top 5. And the above is part of the reason why I came to love that record, and Mark’s music as I do. It’s the essence of Sparklehorse. Dark, Southern, poetic, disturbing, frenzied. But also sentimental, heartfelt, warm.

And as for the matchbooks, well over the years, I’ve foolishly burned many of them up. But I think Mark would have appreciated that. Nothing lasts forever. And that they are destroyed and burned up by their very own selves, is sadly reminiscent of the man, so they are entirely fitting in that regard. Yet, despair not, for a few of them still remain, somehow, after all these years. To be used on special occasions: lighting fireworks, bonfires, sparklers, and perhaps a memorial candle somewhere.

sh_matches